What is Silhouettes (apart from bad grammar)? Here’s all you need to know about my new collection.

I’ve mentioned Silhouettes in the past few editions of my Progress Report posts. But so little has happened since the last one, I thought it would be a better use of time to give you as much info on this brand-new book.

What exactly is Silhouettes?

At the risk of repeating previous blogs, Silhouettes is a collection of short stories and poems. My first release of this kind. It’s a small anthology made up of my favourite writings from the last few years. Some of them entered into competitions with no real results; others were mere ideas in the beginning and I’ve written them especially for this book. It even includes my fan favourite Sunday on the Boulevard (with my pet lobster). 

A few of the stories and poems are drawn from true experiences of mine, whether social or while working in hospitality. Others are inspired simply by how I look at life, how I look at people. Sometimes in anger, sometimes in irony.

All being well, Silhouettes will be released at the end of September. And we’re going to try to expand beyond Amazon this time! While I’m sticking with self-publishing for the moment, this time I’m looking at IngramSpark to extend my reach. Especially as this book is for more than one audience!

How long will Silhouettes be?

The collection consists of nine short stories of varying subject and style — the shortest is only a couple of pages, while the longest is 20 pages, comprising five chapters (or vignettes). The poems come on top of that — 14 in total and divided into two sections within the book. Again, they vary in length, style and genre. Totalling at around 130 pages.

You say varying genre… what do you mean?

One of the pieces of feedback I had from my novels, The Berylford Scandals, was that the length and genre (historical mystery) were intimidating to new readers. With Silhouettes, I wanted to redress this. To provide something unthreatening for those who don’t normally read, while also giving something new to my regular fans. It has been five years since Sin & Secrecy came out, after all. About time we changed the narrative.

Also to appeal to readers of all kinds, the stories and poems don’t all fall into one particular genre. There’s a mixture of comedy and drama. Domestic sagas (Learning to Live with Lukasz), streams of consciousness (Last Train to London), horror (The Vampire of Allouaine), even one or two attempts at absurdism. We visit hotels, trains, buses, mental health clinics, restaurants, and more, all for a range of reasons in a variety of scenarios. It’s not all flights of fancy, mind you. There are some parts that channel complex themes such as grief, drugs and suicide.

You never know — this may be the book in which you find your kind of story.

One good question I had earlier this week: are the stories connected in any way? The answer is no, though the thought had crossed my mind. To make the characters all related in some way. But with some stories venturing into more fantastical and period realms, it didn’t seem plausible.

Will more information come before the release date?

Of course! I have commissioned the cover and the foreword, so I’ll be able to reveal more about those bits when they’re completed. I also plan to dedicate a part of my podcast, The Dale Hurst Writing Show‘s 50th episode to Silhouettes. There, I’ll delve into the inspirations behind my favourite stories and the book as a whole. Keep an eye out for that around September (or Follow on Spotify now, and you won’t miss an episode!)

Also, for the first time, I intend to release an audiobook version (just working out the logistics). Watch out for more on this in the near future.

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Reflecting on my most recent piece of published work, Sunday on the Boulevard with my Pet Lobster.

A couple of years ago, after a massive over-indulgence in Looney Tunes cartoons and QI clips, I was inspired to tell a bizarre little tale about a lobster that liked to smoke cigars. I was already toying with ideas of human-animal co-existence; one such story got developed during my Master’s degree into what’s currently known as The Bloody Zoologist. But after reading about the writer Gérard de Nerval, who infamously had a pet lobster that he took for walks on a lead, I knew I had to play around with this idea some more. I can’t tell you the exact process. All I know is that somewhere down the line, we decided this lobster would be a smoker. That he’d have a smoker’s cough. And that asparagus would be the only cure. The end result: Sunday on the Boulevard with my Pet Lobster.

Writing Sunday on the Boulevard with my Pet Lobster

Admittedly, this short story’s surreal tone came off the back of misunderstanding absurdism. I learned more about that when I interviewed Great Ape‘s Dale Hall and Nels Challinor for my podcast. Indeed, I submitted the story for their publication’s first issue, and naturally, they rejected it. But having had excellent feedback from readers, who praised the style and the humour, I knew it’d have a place somewhere.

I modelled the comedic style on a couple of my favourites from childhood. Looney Tunes, for one, and also the Muppet Show. Both of them arguably surreal and witty in equal measure. Then I added my own voice, injecting my personal loves for luxurious settings, such as the restaurant Chez l’Armoire, and fine food.

Publishing Sunday on the Boulevard with my Pet Lobster

As I mentioned, I first submitted this story to the absurdist literary journal Great Ape. They rejected it, and rightfully so. But no longer really knowing what the story was, beyond weird, I just decided to fling it anywhere and everywhere. Hoping that at least one competition would take it on.

Eventually, I thought it’d be worth a submission to the Bournemouth Writing Prize. This is an international competition that Fresher Press runs annually, in association with my alma mater Bournemouth University. I submitted it in the January and then didn’t hear anything for months. With that in mind, I didn’t expect to hear anything at all.

Until, that is, I got tagged in a Facebook post in May, which told me that my story had made it onto the “immensely competitive” longlist for the short story category! A much-needed bit of good news! While that meant that I hadn’t made the shortlist, I later found out this story was getting published in two anthologies. Namely, Strange Encounters and Pick Me Up. It’s an added little ego boost that the covers of both books mention or allude to the lobster in some way.

I can’t argue with the competition judges and I’m very honoured to have made the longlist. However, if the audience reaction to a reading at the anthology launch event, and the enthusiastic discussion that came afterwards, were anything to go by, I feel like the story could’ve gone even higher. If you haven’t seen the video yet, just have a look below.

What’s next for the Bournemouth Writing Prize?

While I’m happy to leave my little lobster story alone now, I’m not done with the Bournemouth Writing Prize. In fact I already have my entries for the 2023 competition ready for submission. Just waiting on a bit of last-minute feedback before I enter. But let’s keep everything crossed that there’ll be another short piece published this year.

If you liked this, find out what else I got up to in 2022. Also keep up with my news and other content on my social media channels. I’m on Facebook and I’m especially active on Instagram.