Character names are sometimes a point of contention from my readers. And also a subject that gives rise to a number of questions. Not least: where do they come from?

I often get picked up on my character names. Even before The Berylford Scandals were a thing and the 10-year-old me was writing stories about French vampires… And much as I have visited this subject in a previous post long ago, I thought it worth another look. Especially as people often ask me where I get these, often unusual and ‘complicated’, character names from. This post explores some of the places I’ve found inspiration, and where you can find it too.

FAMILY NAMES

This really ought to be a goes-without-saying go-to for all aspiring writers. I often think that an interest in one’s own family history and the stories there associated is an invaluable asset to authors. If you deal in stories set in real-life settings, and in the past, as I do, then having a knowledge of your roots and what your ancestors got up to can provide a wealth of inspiration. Not least in giving your characters realistic but no less memorable names. Some of the fan favourites (the loves and the love-to-hates) were named after ancestors of mine. The Whitlockes and the Warwicks, just to name a couple.

PLACES

I took a leaf out of the book of everyone’s (or… well… still some people’s) favourite witchcraft and wizardry writer for this one. J.K. Rowling borrowed a number of place names to assign as surnames for her characters in Harry Potter. Snape, Flitwick and Dursley are examples. And you don’t have to use the place name in its exact form either; just use it as a base from which to manipulate. The Lancashire town of Urmston got modified slightly when it came to creating Mrs Urmstone in the Berylford books; the same goes for Hathersage in the Peak District, which was reworked a bit to become Haffisidge.

As a side-piece of advice: don’t just look to villages and towns and other such locations. Even something as simple as road names is just as valuable for inspiration.

MANIPULATING OTHER NAMES

Off the back of that previous point, a number of names that I created had relatively commonplace, or at least less flavourful origins. Take Lady Vyrrington, my chief Berylford anti-heroine, for example. She began literary life with a name at which I can barely write without cringing — Lady Selina Goodsby — before I decided that was hardly becoming of such a character. It needed gravitas and memorability. I settled on the final surname far quicker, beginning with Barrington, a fairly commonplace “posh” surname. It just took a bit of letter play. Barrington became Berrington, then Berrington to Verrington, and finally Verrington to Vyrrington. It’s original, memorable, and, if people actually take the time to read it properly, not actually difficult to pronounce.

RESEARCHING REAL-LIFE FIGURES

The former three suggestions work perfectly fine when you’re writing a story set in your home country. There’s no language or culture barrier to fight against; you know that these names will belong with such characters. So, when it comes to my current work-in-progress, You Can Hear Chopin from the Attic, set in Germany, I have no such luxury. I have had to do a bit more research to ensure the correct style and flavour get captured. Where better to find genuine German names? By looking into real-life German people from the period. Names such as Upfauer (manipulated from Hupfauer), Verschuer, and Seyß came to me this way.

BE OBSERVANT

As should be the case with everything you do as a writer: pay attention to things and people around you. It doesn’t matter whether you’re a full-time author or working an office job for 40 hours a week — inspiration for characters, events, stories… it’s everywhere. I keep a list of interesting and/or unusual names that I intend to use for future stories. For instance, just the other day at work, I came upon the name Argyrides. Something that I would never have dreamt up myself. But already I can envision it belonging to some antagonist… of Greek extraction… for a new story that may come to pass. And now that I have it, I’m damn well keeping it!

FINAL NOTES ON CHARACTER NAMES

Just a last bit of passing advice when it comes to naming your characters. Be mindful of period, style, flavour, and setting. This is where your all-important research skills will come in useful. Reading other works set in that time, with that setting, will give you more knowledge in terms of what names were fashionable at the time. Or the naming conventions observed by certain cultures. For example, you couldn’t have a story set in 19th Century Russia wherein the main character’s name was Alice. Alice becomes Alisa in Russian. Furthermore, the Russians observe a patronymic naming system, and so, at least at points during your story, for increased authenticity if nothing else, you or your characters would refer to Alisa as Alisa Mikhailovna (or whatever you choose to designate).

Like a lot of writing, it isn’t a simple matter of chucking any old shit on the page and thinking it works. There is so much more to it than that.

Got any other ideas? Let me know in the comments section. For more author news and views, my Facebook and Instagram pages are here. And drop a subscription to my YouTube channel to remain informed of the latest, plus some exclusives. Furthermore, my fortnightly podcast, The Dale Hurst Writing Show, is available to listen to here on Spotify.

I have now sold at least 65 copies of my debut novel in the 15 weeks that it has been available. Quite an achievement in itself, when you consider that most self-published authors don’t sell 50 copies of their first book at all. For the most part, the response has been very positive, though many readers have come up to me and remarked on how their vocabulary has expanded since reading.

The recurring point of “criticism” (for want of a better word) has been the characters’ names, which some have viewed as complicated. So I am dedicating this next post to discussing how complicated character names are rife within literature and that mine are on par with, if not easier to read than some authors.

As has been discussed before, several great 18th, 19th and 20th century authors influenced my literary style when it came to writing The Berylford Scandals: Lust & Liberty and the related works that came before and after it. Of all of them, two stick out in my mind in having unorthodox, whimsical and downright weird character names. They are Charles Dickens and Mervyn Peake.

When it came to writing the first full Berylford novel, starting back in 2008, I began with a list of 40 characters, many of whom I renamed as time went on, particularly as their surnames were swapped with those of my extended family. To give a few examples, Whitlock, Osborne, Gwynne and Warwick. Others, such as Gussage, are named after areas in Dorset, just as J.K. Rowling named some of her better-known characters after places in England (think Dursley in Gloucestershire, Snape in Suffolk and Flitwick in Bedfordshire).

And then there are those that are just downright odd and came from my imagination, and were partly influenced by those two aforementioned novelists: Dickens and Peake. Any fan of literature will know that Dickens’ characters all had quite characteristic and complex names, some of the more complicated to read on a page that strike me include Tulkinghorn and Jarndyce from Bleak House, Flintwinch and Tattycoram from Little Dorrit, Grewgious from The Mystery of Edwin Drood and Pecksniff and Chuzzlewit from Martin Chuzzlewit. The same goes for surnames like Barquentine and Prunesqualor from Mervyn Peake’s Gormenghast books.

Upon reading those, would it be fair to say that surnames such as Vyrrington, Haffisidge and Rudgerleigh are less-complicated to read? I would say so. Having said that, those three surnames underwent numerous changes across the eight-year writing process for Lust & Liberty. Only one major family retained their surname from start to finish, and is definitively very Dickensian or Peakesque. Stirkwhistle. I don’t remember how that name came into my head when it did nearly ten years ago, but naming one of my favourite characters to write — Abel Stirkwhistle — I could not imagine him being called anything else.

If all characters in all novels set in a real-life place were given mundane names, how would they be memorable or unique, not to mention representative of the author’s style?

By popular demand, I am going to dedicate some future posts to telling the story behind creating some of my more favourite characters in my Berylford universe; how they first came to be in the stories and what or who influenced them.