Profile

FULL NAME: Abel Stirkwhistle

BORN: 1st October 1756, Iverleigh Warren, Kensington, London (aged 36-37 in Lust & Liberty; 58-59 in Sin & Secrecy)

EYE COLOUR: Hazel

HAIR COLOUR: Brown, later grey

FAMILY: The Hon. Tobias Stirkwhistle (father); Esther Stirkwhistle (mother); Rebecca (sister); Liza Stirkwhistle (née Rowlands) (wife); Josiah, Obadiah, Priscilla, Cecilia, Septimus, Octavius, Decimus, Lady Irwina Stirkwhistle-Ziegler (paternal cousins); Lady Oliviera Vyrrington, Lady Riva Bært-Styridge, Lady Lavinia Isaacs, Lady Clementina Isaacs, Lady Diana Isaacs, Lady Georgiana Isaacs (maternal cousins)

ALLIES: Priscilla Stirkwhistle, Lady Oliviera Vyrrington, George Whitlocke

ENEMIES: Rebecca Stirkwhistle, all children

OCCUPATION: Socialite, politician (formerly), school caretaker

PERSONALITY: Sadistic, mischievous, roguish, secretive, irritable, severe, violent

POLITICS: Liberal

FAITH: Catholic

Who is Abel Stirkwhistle?

Abel is the main anti-hero of The Berylford Scandals: Sin & Secrecy. He appears in the prequel, Lust & Liberty, though nowhere near as often and much later than I first wanted. In the final version of the novel, he doesn’t physically appear until halfway through the story. When we meet him, he is recovering from a stroke, cared for by his sister Rebecca and his wife Liza. Once he recovers, he quickly becomes established as both a bit of a wind-up merchant and a force to be reckoned with. Probably one of the only people his cousin Lady Vyrrington fears to some extent.

While he is only a major player in the first book towards its end, Abel is the main character of the second. He, like Lady Vyrrington, is nearing his sixties. He is tired with his life, marriage and job, in which he makes many an enemy. But the main thorn in his side is still his sister, as you’ll discover. In the opening chapter of the first book, I give quite a detailed description of his appearance and personality:

from Chapter I of The Berylford Scandals: Sin & Secrecy

“…Tall and dark as his Italian heritage permitted, he had once been handsome too in his youth. But a sudden stroke in his middle-age had stolen all that from him and warped his body into that formidable and fearsome mass of flesh which Berylford had come to know and dread. He was all but entirely sunken on the one side; he did not walk or even limp but ambled spikily as a crab would. His neck and head were permanently askew, his lips would often spasm, bearing fangs intermittently – whether they were merely expressions of pain and frustration, or curses to the God who had visited this affliction on him, no one could say.

Either way, it had done as badly for Abel’s mind and temper as it had his body. While politically he remained liberal, sympathetic and even at times generous to those of classes beneath those of his own aristocratic roots, he paradoxically had an unforgiving nature and was capable of great cruelty, regarding little the lives of lesser Earthly creatures. For example, if a simple snail were to be slithering along the pavement, it would be the feet of some children of the town to kick it about the pavement in its shell. However, it would be the cruel foot of Abel Stirkwhistle – the steel–studded boot with the iron heel brought down with such malevolence that would crush the snail in its shell. And a brutal and sadistic socialite was he, and he relished his cruelty grandly…”

Origins & Basis

Abel Stirkwhistle is probably one of the only characters whose name has stuck from day one. I don’t know what it is about the surname Stirkwhistle. It just suggested to me something nasty and malevolent that went with Abel’s character, along with that of his sister. And I always intended him to be a villain to some degree. He started out as the sadistic and cruel caretaker of the school where four of the other main characters, collectively known as The Four Scallywags, study. That part of his character remains.

He was not supposed to be related to Lady Vyrrington in the beginning; originally they were just friends. But I could not justify the lady of the manor being friends with a school caretaker unless they were actually related. With this in mind, Abel couldn’t have the job for the love of it. He had to take it on to keep an eye on his sister — that’s how it developed.

I personally love writing dialogue for Abel — his character is so multi-faceted. That’s whether he’s talking to Lady Vyrrington or his sister Rebecca. He can be roguish and charming one minute, austere and threatening the next. It gives me an opportunity to write both light-hearted and black humour, but also drama that shows off his straight-up violent and evil side. When he exchanges threats with Rebecca — I find that so unlike any other sibling relationship, both in real life and in fiction.

Literary Inspiration

Abel, like Lady Vyrrington, originated in his older form. He is a combination of two Dickens characters. Mr. Tulkinghorn from Bleak House for the personality, and Jeremiah Flintwinch from Little Dorrit for the appearance and movement. The surname Stirkwhistle is also deliberately Dickensian. I injected the mischievous side of him myself to give him a redeeming quality. Despite his malice, I wanted to make him somewhat likeable, or at least relatable.

What’s your opinion of Abel? Likeable anti-hero or straight-up villain? Let us know in the comments!

I have now sold at least 65 copies of my debut novel in the 15 weeks that it has been available. Quite an achievement in itself, when you consider that most self-published authors don’t sell 50 copies of their first book at all. For the most part, the response has been very positive, though many readers have come up to me and remarked on how their vocabulary has expanded since reading.

The recurring point of “criticism” (for want of a better word) has been the characters’ names, which some have viewed as complicated. So I am dedicating this next post to discussing how complicated character names are rife within literature and that mine are on par with, if not easier to read than some authors.

As has been discussed before, several great 18th, 19th and 20th century authors influenced my literary style when it came to writing The Berylford Scandals: Lust & Liberty and the related works that came before and after it. Of all of them, two stick out in my mind in having unorthodox, whimsical and downright weird character names. They are Charles Dickens and Mervyn Peake.

When it came to writing the first full Berylford novel, starting back in 2008, I began with a list of 40 characters, many of whom I renamed as time went on, particularly as their surnames were swapped with those of my extended family. To give a few examples, Whitlock, Osborne, Gwynne and Warwick. Others, such as Gussage, are named after areas in Dorset, just as J.K. Rowling named some of her better-known characters after places in England (think Dursley in Gloucestershire, Snape in Suffolk and Flitwick in Bedfordshire).

And then there are those that are just downright odd and came from my imagination, and were partly influenced by those two aforementioned novelists: Dickens and Peake. Any fan of literature will know that Dickens’ characters all had quite characteristic and complex names, some of the more complicated to read on a page that strike me include Tulkinghorn and Jarndyce from Bleak House, Flintwinch and Tattycoram from Little Dorrit, Grewgious from The Mystery of Edwin Drood and Pecksniff and Chuzzlewit from Martin Chuzzlewit. The same goes for surnames like Barquentine and Prunesqualor from Mervyn Peake’s Gormenghast books.

Upon reading those, would it be fair to say that surnames such as Vyrrington, Haffisidge and Rudgerleigh are less-complicated to read? I would say so. Having said that, those three surnames underwent numerous changes across the eight-year writing process for Lust & Liberty. Only one major family retained their surname from start to finish, and is definitively very Dickensian or Peakesque. Stirkwhistle. I don’t remember how that name came into my head when it did nearly ten years ago, but naming one of my favourite characters to write — Abel Stirkwhistle — I could not imagine him being called anything else.

If all characters in all novels set in a real-life place were given mundane names, how would they be memorable or unique, not to mention representative of the author’s style?

By popular demand, I am going to dedicate some future posts to telling the story behind creating some of my more favourite characters in my Berylford universe; how they first came to be in the stories and what or who influenced them.